C-49 briefing prepared by Danny Cockerline and submitted to the Standing Committee on Justice on behalf of the CORP. From of the estate of Christine Louise Bearchell, courtesy of executor Andrew Sorfleet.
Danny Cockerline and friend fooling around in the Canadian Gay Archives (now The ArQuives) in 1990. Photograph by Gerald Hannon. From The Body Politic Fonds, courtesy of The ArQuives.
Danny Cockerline and friend fooling around in the Canadian Gay Archives (now The ArQuives) in 1990. Photograph by Gerald Hannon. From The Body Politic Fonds, courtesy of The ArQuives.
Danny Cockerline (right) and members of The Body Politic editorial collective at a meeting in 1983. From the Gerald Hannon Fonds, courtesy of The ArQuives.
Danny Cockerline (centre) and Chris Bearchell (right) at a Body Politic editorial collective meeting in 1983. From the Gerald Hannon Fonds, courtesy of The ArQuives.
Promotional poster for Toronto Lesbian and Gay Pride Day 1986, designed by Pei Lim, typeset by Chris Higgins, courtesy of the ArQuives.
Promotional poster for the first annual Toronto Gays in Health Care Health Fair (1984), designed by Pei-Hsien Lim, courtesy of the ArQuives.
Recruitment poster for the Toronto Gay Patrol (circa 1981), courtesy of the ArQuives.
Promotional poster for “Smashing Borders, Opening Spaces” (1985), the seventh annual conference of the International Gay Association, courtesy of the ArQuives, used with the permission of the International Lesbian and Gay Association.
“Butch Men Play with Anything,” drawing by Pei Lim (1984), first published in CelebrAsian, newsletter of Gay Asians Toronto, courtesy of the ArQuives.
Self-portrait in collage by Pei Lim (1980), courtesy of Gael MacLean.
Pei-Hsien Lim performs his dance “Reconnaissance” and explaining its significance, clip from the film Orientations: Lesbian and Gay Asians (1984), courtesy of Richard Fung.
Police cars ablaze near the San Francisco Civic Center during the White Night Riots on May 21, 1979, courtesy of Daniel Nicoletta.
Image of Pei Lim from Men Loving Themselves: Images of Male Self-Sexuality (1980), republished in Rites for Lesbian and Gay Liberation, courtesy of the Rites Collective.
Pei-Hsien Lim reflects on his experiences in the leather community, clip from Orientations: Lesbian and Gay Asians (1984), courtesy of Richard Fung.
Lim’s high school class in Melbourne, Australia (circa 1971), courtesy of Gael MacLean.
Childhood photograph of Pei Lim (circa 1961), courtesy of Gael MacLean.
Pei-Hsien Lim discusses his childhood, clip from the film Orientations: Lesbian and Gay Asians (1984), courtesy of Richard Fung.
Photograph of Pei Lim dancing (circa 1983), courtesy of Gael MacLean.
Promotional poster for Track Two: Enough is Enough (1982), courtesy of the ArQuives, used with permission from Pink Triangle Press.